The mission of The Vanaver Caravan is to inspire, through dance and music, the harmonious co-existence of world cultures and traditions, to promote peace and celebrate our humanity. Artistic directors, Bill and Livia Vanaver, have dedicated over 50 years to learning and sharing dance traditions from every corner of the earth. They have traveled across the globe, creating lasting life-long friendships along the way. Our international collective of professional Teaching Artists are trained with an extensive knowledge in our world dance and music repertoire. All of our faculty learn The Vanaver Caravan's holistic, gentle teaching philosophy: keeping students focused and disciplined in a positive and respectful way. Students are given space to learn and grow in an environment that fosters curiosity, creative thinking skills, and self-esteem through kinesthetic learning.

Bi-Okoto creates performances and educational experiences to help audiences of all ages and backgrounds engage and bridge cultural gaps. We use authentic African culture-based theatre, music, drums, dances, cooking, languages, and clothing to accomplish that. Our B-FIT classes are classes offered at our center on a weekly basis. They include West African languages (Yoruba, Kiswahili, etc.); Drumming (for kids, and mixed-levels); Dance (for kids, and adult mixed-levels); Drumming (for kids, and adult mixed levels); AfroPop Dance (ages 13 to adults); Cooking (ages 13 to adults) Images of Africa Summer Camp keep kid 6-12 engaged in activities from our B-FIT classes in. Kids participate in cultural and character-building activities at the center, and they have weekly field trips to various community-based arts activities. In Tolongo Afterschool program we offer similar contents as in our summer camp programming above, but only available when CPS schools are in session. E Sin Mi d’Africa (Come with Me to Africa), Residencies is our cornerstone program. This is a cultural and educational arts residency using multi-sensory, multi-disciplinary learning experiences integrated into student's daily academic curriculum that addresses student needs over the course of a nine-month. This is integrated into the schools’ arts curriculum, working with school. Wa-Zo-Bia Movement & Music Workshop helps students understand math skills, purpose & meaning of the drum and heartbeat, and the communicative language of the drum that mimics different cultural tribes. The workshop compares & illustrates to students the similarities & differences of popular movements & music and how it relates to what is done every day in common situations such as walking. Ekaabo School Assembly program (West African – with emphasis on Nigeria) We take students on an interactive journey from USA to a handful of West African countries. The richness of African culture is revealed through a broad range of dance and languages. Akwaaba and Tooli, are similar program with emphasis on Ghana and Guinea, respectively. “Agidigbo” is a monthly gathering that seeks to foster interactions, drumming, dancing, play reading amongst young adults ages 20-40. “Agidigbo” aims at creating a space with a supportive and welcoming environment to YPs, for discussion, learning, socializing, engaging, and networking opportunities; To further attract and retain/hire Young Professional to the community. HeartBeat Drum Circle- this event is a quarterly event that seeks to foster connection and positive interactions amongst our patrons/community for healing, fun or for music enthusiasts with percussive instruments who come to share and learn. Three Annual stage productions (selections from Igbeyawo, Yemoja, Irin Ajo, etc…) Each production is written to expose the “western” culture to traditional, contemporary, or comedic African theatre which includes a narrating character, live music, songs, dance and students from the adult & children’s classes. Okoto-Kekere (2nd Company) - is designed and tailored to nurture young and budding creatives who are seeking to pursue a career in Afrocentric theater Arts. We pair the youths up with our professional TPAs to provide them with firsthand training and experimental learning opportunities in a holistic way – learning it all, from scripting, backstage management, acting, tech booth management, lighting etc. All our programs are carefully engineered to be in alignment with our mission.

Amapola Arts Bilingual, Culturally and Linguistically Responsive Art Education: Where Culture Meets Creativity! Amapola Arts is a bilingual, family-run art studio co-founded by Hector (Nino) Morales and Dr. Gliset C. Morales. Based in Kenmore-Tonawanda, NY, the studio specializes in on- and off-site art classes and culturally and linguistically responsive workshops that engage learners of all ages through canvas painting, pottery, photography, and mixed media. Rooted in Puerto Rican, Afro-Caribbean, and Taíno cultural traditions, Amapola Arts creates space for youth to explore identity, express themselves creatively, and build community. Programs are grounded in the Windows and Mirrors framework, helping students see themselves reflected in their work while gaining insight into cultures beyond their own. Offerings for P–12 Schools, Afterschool Programs & Community Organizations: On or Off-Site Art Classes & Workshops – Canvas Painting – Hand-building Pottery – Photography & Visual Storytelling – Mixed Media Projects Potter’s wheel experiences available for on-site sessions at the studio. Programs can be booked as single-day sessions, multi-week series, and summer or after-school enrichment. Inclusive, Culturally Responsive Curriculum Sample themes include: – Nature, symbolism, and visual storytelling – Celebrating multilingual heritage and family culture – Art as a tool for advocacy and connection – Identity, belonging, and creative expression. All Materials & Bilingual Instruction Provided. Amapola Arts brings all supplies and handles setup—just provide the space. Customizable to Your Needs Programs are adaptable by age group, schedule, theme, and budget. In addition to partnering with schools and organizations, Amapola Arts also offers bilingual classes and community events at its Tonawanda studio. Learn more at www.amapolaarts.com or reach out to glisetmorales@amapolaarts.com to begin planning a workshop!

Over the past 25 years, I’ve had the honor and privilege of inspiring students all over the world to create and write stories. My presentations are approximately 45 to 60 minutes of high energy, immersing students in my story creation process. Using time-lapse video, music, and digital technology, I discuss writing, biology, research, illustration, and editing while addressing how and where I get my ideas. I keep a journal full of ideas and drawings. My stories start from those ideas, and I show the process from idea seed to finished story. I narrate a new or previously published story to the students, engaging them with video and music. I follow with a live computer drawing demonstration, usually projected onto a screen or big TV behind me. In most instances, it’s a simple drawing created from scratch that contains many concepts learned in curricula: insect biology, the difference between a bug and a beetle, primary and opposite colors, symmetry, and horizontal/ vertical placement. It also has just the right touch of humor :-) I airdrop a digital copy to the teachers to take back to their classrooms afterward. I like to take questions from the students at the end of the presentation. I appreciate the efforts of all the librarians, PTOs, and school administrators who have made my visits possible. My presentations have been described as engaging, educational, and a lot of fun.

The Ultimate Human Board Game features a LIFE-SIZE game board with three color-coded sides! The board is made up of 16 squares, each representing a different exciting activity. The entire group is divided into three teams (green, blue, and red). The game begins when one team rolls the dice and lands on an activity in which all three teams compete to win. The Ultimate Human Board Game is based on character building, teamwork, sportsmanship, and total participation. Activities such as the Silly Dance and Lip Sync Challenge are audio-enhanced. This fast and spirited game is sure to generate a level of excitement and teamwork in students which will amaze you! Indoors preferred. Indoor backup plan required for inclement weather.

I am Yolanda T. Marshall, an award-winning Caribbean-heritage author of diverse, inclusive, festive children's literature. I have 20 books to read from! I am an energetic storyteller who performs interactive book readings for large groups. My books and storytime include music, singing and dancing! The main themes of my books are about everyone (regardless of cultural identity) coming together to celebrate our similarities and differences. It is a space for childhood joy, laughter and learning something new about each other. My readings are for 45 - 60 mins of multiple books. We take little dance soca breaks to keep moving. I present my book on a projector so everyone can see the vibrant and beautiful illustrations by the illustrators. My virtual readings - books are presented on the screen in classrooms - we get to have a fun party, aka storytime, at our desks!

In "Fact or Fiction" performers tell stories through dance. Are they true? The audience decides! The show is a ton of fun, with an electrifying cast and a ton of heart! Audiences laugh, maybe cry, and definitely have something to talk about after the show. We bring the auction paddles for voting; you bring the students! This show has inspired multiple offshoot projects amongst students and teachers.

I’ll start each workshop with a slide show of my personal journey into the arts. This will start from my entrance into the arts back in high school where I was guided away from the arts by guidance counselors and administration. I’ve found this to be helpful to mention as many students can relate to this. My entrance into the arts started in ceramics and has led me to Mould Making, Metal Casting, Fiber & Silversmithing. I’ll discuss how perseverance, determination, hard work, and elbow grease has awarded me with scholarships, grants, shows, and teaching opportunities that enable me to travel to craft schools and residencies to continue making work. I’ll show the evolution of my work and include photos of in-process works from different studios throughout the years. This introduction will last about 30 minutes concluding with 15 minutes of questions. I’ll continue with about 20 minutes of demonstrations and disperse materials for hands-on building. At this point, I’ll make my rounds to meet with each student and troubleshoot their project ideas and the best way to construct them. I’ll call the class over to discuss which method of building would be best depending on the desired outcome as there is no one way to make something. Program Descriptions Workshop 1: Personification of an Object First steps into the world of Abstract art by warping reality one object at a time. Students are prompted to give humanistic features/characteristics to inanimate objects to create something that’s never existed before. Workshop 2: Re-Create Everyday Objects Students will be asked to bring in 3-5 everyday objects. We’ll discuss different methods of construction, play with scale, and explore the surface through color and texture. Refrain from bringing in objects that are made out of ceramic materials. Workshop 3: Large Forms inspired by the Ancient World and Today This workshop focuses on giving students the necessary skills to create large vessels. Students will be asked to find references of Vessels from Ancient Egypt, China, Mesopotamia, or contemporary artists. -hand-building on a larger scale helps beginner students quickly adapt to the properties of clay and respond to the material quicker than something small. This method of construction [coil-building] is the oldest method of building with clay, allows for lots of adjustments to form and scale for a beginner student, causes you to be attentive to the material. -Discuss the benefits of hand-building and the freedom/ability to build in a gestural way, why this is helpful. -Ask students to choose or draw a silhouette to mimic for their vessel – A blueprint/reference photo is VITAL to making a successful shape, make this mandatory, this will help assist them in achieving the shape they want to. -brief demo on darting– show them how to edit a shape that’s not going in the direction (shape-wise) that they’re going for. Workshop 4: Advanced Techniques Ask students to make an object (sculptural or functional) using the extruder and slab roller. These can be very gestural, architectural, or realistic. -Demo how to construct a form using slabs slumping/wrapping/template techniques (cut-outs slipped and scored together) -Emphasize that the appearance of the object will be determined by what method of construction students wish to use (explain and show examples of architectural vs. gestural, organic vs geometric forms, etc.) -Demo how to use an extruder and how to attach extruded shapes securely together/to the form. Clay & tools can be provided for an additional fee.

Prismatic Magic Laser Programs is a pioneer in educational and entertaining school assemblies and library programs. Our mission is to inspire children to learn in new ways and to use fun to unlock children’s desire to learn. With two decades of performing at thousands of schools, we are experts at presenting laser light assemblies to create an unforgettably fun learning environment. Our laser programs all feature hit music and stunning laser animation to excite and inspire every student, making it a surefire school assembly idea. Your kids will be singing and cheering throughout, all while wanting to learn more! We offer the following programs/themes: American Pride Black History Laser Tribute Bullying Prevention Halloween Spooktacular Kindness Quest Laser Reader Laser Safari Lasermania Preschool Sing-Along Prismatica Space Explorer Spring Jam STEM Expansion Winter Holiday Adventure Be sure to visit our website at www.prismaticmagic.com, click on SHOWS, then on each program to watch videos and learn more about each program, get pricing, etc.

I provide paintings, art prints, and photography services directly to clients. My work is featured in a number of private collections within (and beyond) Western New York. In 2016, I founded Avery & Harlow to grow my art business. I have individual and commercial clients, including Meet & Eat Charcuterie, Magic Bear Beer Cellar, Frank Lloyd Wright's Martin House, Trocaire College, Canisius University, and TEAM VIA (New York City Real Estate Advisors). I've donated art to Lollypop Farm Humane Society of Greater Rochester, Massachusetts Avenue Project, Rochester Contemporary Art Center (as part of the 2023 and 2024 6x6 fundraiser exhibition) and the WNY Women's Foundation. In addition, I'm a former instructor (specializing in business and marketing) for the Arts Management Program at University at Buffalo. I'm also a Teaching Artist and marketing consultant for GWFA Gallery in Hamburg, New York.

David Gonzalez, PhD. has had a long life of creating content and performing for young audiences. He has a YouTube channel on which you can explore featuring his many offerings for kids K-12 and covering a number of topics. He has a show titled " Finding North" about the underground railroad, and the present day migrant issues. Aesop Bops! is for the youngest, Cuentos: Tales from the LatinX World is for grades 2-5 in which he offers some bi-lingual interactions with the students, Maddog and Me: Bullying and the Power of Kindness is for middle schoolers. David also creates performances for general audiences. Please contact manager Sandra Peevers for more information, video links, etc. and to discuss availability and fee. David tours countrywide, so identifying your dates early is recommended. David also offers Teacher Development courses as well as workshops for kids. DAVID GONZALEZ - BIOGRAPHY Storyteller/musician/poet/playwright David Gonzalez, Ph.D received the Lifetime Achievement Award from International Performing Arts for Youth, and was nominated for a Drama Desk Award for his original production of “The Frog Bride” at Broadway’s New Victory Theater. Mr. Gonzalez was named a Fellow of the Joseph Campbell Foundation and was the host of New York Kids on WNYC for eight seasons. He wrote Rise for Freedom!, an opera libretto commissioned and produced by the Cincinnati Opera, and Mariel, an Afro-Cuban musical which won the Macy’s “New Play Prize for Young Audiences”. Mr. Gonzalez' poetry has been featured at Lincoln Center's Out-of-Doors Festival, Bill Moyers' documentary Fooling with Words on PBS, and NPR's All Things Considered. His performance poem, Oh Hudson, was commissioned by the Empire State Plaza Performing Arts Center to commemorate the Quadri-centennial of Henry Hudson’s exploration. He is the author of numerous plays and one-man shows including: The Boy Who Could Sing Pictures, Aesop Bops!, Double Crossed: The Saga of the St. Louis, As If The Past Were Listening, MytholoJazz, Maddog and Me, Wounded Splendor, Finding North, City of Dreams, Sofrito!, The Carnival of the Animals, The Man of the House, and Sleeping Beauty which have been presented at many of the best performing arts centers, theaters, and festivals in the US and abroad. David was a featured performer at the National Storytelling Festival and received his doctorate from New York University's School of Education. Mr. Gonzalez is bi-lingual and is the Artistic Director for the Crisalida Communications, a company that consults on arts outreach to theaters and community organizations. For schools, David's main shows are: Aesop Bops!, Cuentos: Tales from the LatinX World, Maddog and Me: Bullying and the Power of Kindness, and Finding North.

Have you noticed in your young ladies the same thing Miss Coco Flamenco has noticed – how pre-teen and teen girls shrink inside – and overcompensate outside – while the boys just… don’t? And when there’s a phone camera involved, have you noticed the stark difference between the girls’ self-conscious primping and the boys’ in-your-face pomp? Enter The Flamaze Girls – Preciosa and Danielle – played by Miss Coco Flamenco herself! Watch in flamazement as your young ladies open up to the hilarity/honesty, the grace/guts, the Flamenco moves/freedom grooves. Miss Coco brings her 30 years of stewarding young ladies into adulthood, through her time as professor, department chair, and choreographer. She has seen joyful transformations happen within the space of a single show – countless students have started watching her show with arms crossed and that “fake-bored-girl” face… only to rush to the stage afterwards for a hug and an autograph. And perhaps a blurted-out, “I used to dance, too!” Or “When are you coming back?” Or simply, “Thank you, Miss Coco.” Your young ladies will EMBRACE their betrayer bodies and UNLEASH their sensitive souls within the time-tested safe space created by the ancient, powerful, confident women of Flamenco, and under the careful guidance of Miss Coco Flamenco herself – with the dance moves and spoken word of everyone’s newest friends, Preciosa and Danielle, of course! 7th grade girls get sulky faced – clap-clip-clap-and-stomp, they erase. 8th grade girls get crossed arms – clap-clip-clap-and-stomp, they harm. Un-flamazing girls get nutsy, but! Flamaze girls? Stomp-stomp-stomp get GUTSY!