You Can Do a Graphic Novel, Comic Book, Meme, or Zine Categories: Creative Writing, Visual Arts Curriculum. Costs VIRTUAL PROGRAMS (ZOOM) One-hour interactive classes, unlimited participants: $500.00 LIVE IN-PERSON PROGRAMS One day: $1,200.00 Four days: $3,800.00 Eight days: $6,500.00 For venues more than 40 miles from Hudson, NY travel cost of $0.50 mile will be added. For venues more than 40 miles from Valatie, NY travel cost of $0.50 mile will be added. Available year-round. Program Theme: Students learn how to create a graphic novel beginning with a six page comic. It doesn’t matter if they can draw. Stick figures are an expressive way for the reluctant artist to begin. Participants are encouraged to bring their sketchbooks and characters they may already be working on. They will learn about The Creative Process, how to write a Character Study, focus on the beginning, middle, end and twist of a story, and Create Layouts. If the program is an assembly, Barbara talks though the program with on-screen illustrations of the process. The school is to provide a computer, projector and screen. Program Description: Each program is custom tailored to the grade, number of students in the class, and number of sessions. If there are four or more sessions per class, the program finishes with a Graphic Novel Exhibition (see below). The Creative Process: 20 creative tips. Creating Characters: Participants complete bio sheets with the character’s name, age, best friend/side kick, powers (if any), biggest fear, life goal, etc. Plotting: Learning how to plot challenges the student to complete a story. Too many begin the story and throw it out somewhere in the middle. The student learns to plot by color code, a method used by film/tv/graphic novel writers. Layout: Participants learn about panels, thumbnails, dialogue balloons, sequence, and making a page pop. Rather than drawing “talking heads,” they draw a close-up, pull back for a long shot, followed by interior, exterior, bird’s eye views. Everybody works at their own pace. Some are advanced artists/writers while others are beginners. It doesn’t matter where they begin as long as they get going. I hand out a “character bible” sheet and encourage them to think about the beginning, middle, end and twist of their story. The twist is what makes the story interesting. I bring in samples of character bibles from Marvel comics which they can keep, and scripts written by professionals. Feedback is an important part of the program. It usually begins when I hold up a student’s drawing and ask them to suggest a name, age, or character trait. The student can take the suggestions or discard them, however, it opens up discussions. In the first session, students are sometimes quiet/shy with other students but by the second, they open up about their characters and stories. After the last workshop, the doors open to parents, friends, relatives, the community, and the local press. Students show and talk about their work…where they got their inspiration for characters/story. The “Graphic Novel Exhibition” attracts a lot of attention and often results in newspaper articles. Having artwork in the newspaper is great for a student’s self-esteem and for their portfolio. Copies of Barbara's textbook You Can Do a Graphic Novel can be ordered for the school library, and discounts are available from the publisher for class-size orders. http://youcandoagraphicnovel.com/students1.htm

Meet Dott! Like the Polkadot! And her talking dog Dusty, like the dust! Their mission is to foster the voice and imagination of the next generation. Dusty & Dott are committed to creating an environment that is welcoming and supportive of all identities. Through storytelling and the magic of puppetry, Dusty & Dott celebrate curiosity and encourage the values of creative play.

I’ll start each workshop with a slide show of my personal journey into the arts. This will start from my entrance into the arts back in high school where I was guided away from the arts by guidance counselors and administration. I’ve found this to be helpful to mention as many students can relate to this. My entrance into the arts started in ceramics and has led me to Mould Making, Metal Casting, Fiber & Silversmithing. I’ll discuss how perseverance, determination, hard work, and elbow grease has awarded me with scholarships, grants, shows, and teaching opportunities that enable me to travel to craft schools and residencies to continue making work. I’ll show the evolution of my work and include photos of in-process works from different studios throughout the years. This introduction will last about 30 minutes concluding with 15 minutes of questions. I’ll continue with about 20 minutes of demonstrations and disperse materials for hands-on building. At this point, I’ll make my rounds to meet with each student and troubleshoot their project ideas and the best way to construct them. I’ll call the class over to discuss which method of building would be best depending on the desired outcome as there is no one way to make something. Program Descriptions Workshop 1: Personification of an Object First steps into the world of Abstract art by warping reality one object at a time. Students are prompted to give humanistic features/characteristics to inanimate objects to create something that’s never existed before. Workshop 2: Re-Create Everyday Objects Students will be asked to bring in 3-5 everyday objects. We’ll discuss different methods of construction, play with scale, and explore the surface through color and texture. Refrain from bringing in objects that are made out of ceramic materials. Workshop 3: Large Forms inspired by the Ancient World and Today This workshop focuses on giving students the necessary skills to create large vessels. Students will be asked to find references of Vessels from Ancient Egypt, China, Mesopotamia, or contemporary artists. -hand-building on a larger scale helps beginner students quickly adapt to the properties of clay and respond to the material quicker than something small. This method of construction [coil-building] is the oldest method of building with clay, allows for lots of adjustments to form and scale for a beginner student, causes you to be attentive to the material. -Discuss the benefits of hand-building and the freedom/ability to build in a gestural way, why this is helpful. -Ask students to choose or draw a silhouette to mimic for their vessel – A blueprint/reference photo is VITAL to making a successful shape, make this mandatory, this will help assist them in achieving the shape they want to. -brief demo on darting– show them how to edit a shape that’s not going in the direction (shape-wise) that they’re going for. Workshop 4: Advanced Techniques Ask students to make an object (sculptural or functional) using the extruder and slab roller. These can be very gestural, architectural, or realistic. -Demo how to construct a form using slabs slumping/wrapping/template techniques (cut-outs slipped and scored together) -Emphasize that the appearance of the object will be determined by what method of construction students wish to use (explain and show examples of architectural vs. gestural, organic vs geometric forms, etc.) -Demo how to use an extruder and how to attach extruded shapes securely together/to the form. Clay & tools can be provided for an additional fee.

Ithaca Children’s Garden (ICG) offers hands-on, play- and nature-based learning opportunities that support curiosity, creativity, and environmental understanding. Programs include Pop-Up Play Days — playworker-led experiences using open-ended “loose parts” that spark imagination and child-directed exploration — hosted at schools or at ICG, as well as educator-guided field trips to our 3-acre Garden where students explore plants, habitats, and the rhythms of the seasons. ICG also brings learning directly into classrooms through interactive lessons on insects, gardening, food systems, and more that complement classroom curriculum through personalized, sensory-rich experiences.

Top Youth Speakers is proud to offer a roster of over 30 top ranked speakers for youth and professional staff audiences. We provide speaking services for assemblies, workshops, conferences, and professional development or leadership training for all levels of the educational field. From anti-bullying and kindness to resiliency and burnout prevention, we are proud to serve the Arts in Education network with stellar experiences.

We offer engaging author visits to schools and organizations, either virtually or in person with our author(s) and book character(s). Each 45-minute assembly is designed for students in Pre-K through 4th grade and includes a read-aloud from a book of your choice, interactive storytelling with music, games, and lively discussion. Students will also have access to discounted pricing on books. These read-aloud sessions aren’t just entertaining—they’re educational. They help motivate children to read, strengthen their comprehension, expand vocabulary, and introduce language patterns not typically heard in everyday conversation. Students are encouraged to make meaningful connections between the stories and their own lives, making reading both fun and relevant.

Goat on a Boat is a nonprofit puppet theater that has been building, performing and presenting a variety of puppet shows for young children and their grown-ups since 2001. Shows can fit into classrooms, auditoriums or can be performed outdoors from our Puppet Truck stage. Using a variety of puppetry styles, our shows are based on well-loved classics as well as original stories about friendship, the environment and more. Puppet making workshops provide the opportunity for young students to improvise their own stories, to work together to create characters, build sets, stages and puppets. At the end of each workshop, there is short performance where students can share what they've made. Our residencies provide the time and space to create longer, themed shows that can connect to STEM classroom learning objectives. Goat on a Boat also offers Professional Development workshops that teach educators how to make a variety of puppet projects to use in the classroom as well as how to manipulate and how to make their puppets come to life. We believe that Puppetry is the gateway to a life-long love of Theater and the Performing Arts. This unique art form brings Art to life and engages children's imaginations in so many valuable ways.

The Southern Tier Brass (2 trumpets, French horn, trombone, tuba and drum set) has been active throughout the area for over 30 years performing music in a wide range of musical styles from the renaissance to contemporary including renaissance, baroque, classical, jazz, standards, popular, rock and Broadway selections. We have a combined public school band teaching experience of over 100 years! Our school performances have been extremely well received by both students and teachers. In addition, our performing experiences include the Binghamton Philharmonic, the Tri Cities Opera and jazz and popular settings. Our program can be tailored to a variety of situations. Examples include: 1. Introducing the brass instruments to students about to start band in elementary school. 2. Providing the opportunity for older music students to see and hear the brass family up close on a wide variety of musical styles. 3. A program tailored to a given grade level social studies curriculum e.g. the Civil War with time period music and narration.

Social studies and non-fiction ELA topics brought to life through music. Themes include Colonial America, Native Americans of NY State, Westward Expansion and the Gold Rush, World Cultures and Communities, The Erie Canal, Immigration to America and more. Programs are presented in-person as well as virtually.

Act With Respect Always is a “pay it forward” movement stressing the importance of one’s personal character. Through presentations and continued communication through mailings and social media, Act With Respect Always hopes others will join this mission or way of life and look to improve the world around them daily. Stressing kindness, love, compassion, empathy, acceptance and gratitude, Rich strives to make everyone aware of their daily actions. He introduces to each audience the 99% (Whats Your 99} and the 1% (Accept The 1), a personal character assessment plan. With this knowledge each person can access their own character “score” every minute of every day. The 99 has now brought the concept of mindfulness to everyone, to help to constantly draw ‘reflection’ towards their actions. Introducing The Visible Project to every audience has encouraged everyone to send notes of gratitude to someone: a friend, relative, a teacher or anyone that has shown kindness to them. The hope is that everyone will create their Solid Five (Who Are Your Solid5) connections that can be cultivated. They are the people who you can go to anytime, anyplace for physical and emotional support without judgement.

Hi There! I’m an Author-Illustrator of Graphic Novels, Picture Books and Recycled Art Building Books for grades K-8. You can book a Workshop, Assembly OR create an immersive “Comics" or "Steam Invention Day” for students with guided sessions and worksheets. TOPICS INCLUDE: • Creating CHARACTERS for Comics • Building STEAM Projects from Recyclables • Tips and Techniques for GRAPHIC NOVELS • My Work Process from IDEA to Story to BOOK Students will learn my journey from childhood artist to the published author and illustrator of seven books. Brian Yanish Children’s Author / Illustrator / Maker *2023 NYSCATE Student STEAM Fest KEYNOTE Speaker ————————————————— “You will not find a more talented and collaborative presenter for your next author visit or Maker Space today.“ -Tammy Pulver, SLMS, Lima Primary School, Lima, NY

Catapult is a Shadow Illusion performance company. They were propelled into the limelight and into the homes of millions of people around the world as finalists on America’s Got Talent. Heidi Klum and Howard Stern were two of their very first fans and now they’ve added many thousands of fans around the globe, touring the USA, Europe, and Asia with their hit show, Magic Shadows. Their shows are an amalgamation of dance, theater, illusion and storytelling. Their stunning visuals coupled with whimsy, heart and athleticism create a spellbinding show perfect for all ages. Catapult is easy to produce, delightful to work with, and they love to engage with communities and audiences. Catapult is available for corporate and private events to entertain, engage and educate. They've created custom work for a variety of organizations including Girl Scouts, United Way, YMCA, Association of Mental Health Workers and more. Catapult also offers incredible educational and community outreach for 3rd grade and up, including workshops, residencies, and school shows that can be tied in to school curriculums such as Language Arts, Math, Science, and SEL. School shows are 45-60 minutes and can be structured as a lecture/demonstration, full dance performance, or as a show + Q+A. They offer study guides for Elementary through High School age groups. There are no language barriers with the show, so ESL and hearing-impaired students will enjoy the show the same way other kids do! Their educational outreach also offers opportunities for students to become a part of the magic themselves and perform live with Catapult during their public performance, either by learning and performing Catapult’s very own “Angel Heart” piece, or by creating a piece of their own during Catapult’s brand new Fantastic Creatures and How to Make Them residency week.