Mannie offers exciting yet educational shows leaving the students with memories that will last a lifetime. Performing for thousands of students across New England, New York, and New Jersey, Mannie's program is perfect for grades K-8. The amazing BMX tricks performed during each show will have the students in awe all while they learn about a great message such as anti-bullying, living out your dreams, achieving goals through dedication, or healthy eating. School assemblies run approximately 40 minutes and most are held indoors in a gym or cafeteria. Outdoor shows require very specific requirements and can send over those requirements if needed. Set up for shows is quick and easy, usually around 45 minutes. Mannie Nogueira BMX Shows LLC is FULLY INSURED and ready to perform at a school near you! For all inquires and detailed pricing, please send over an email to MNBMXSHOWS@gmail.com or call Mannie at 978-855-6998

What is Opera Saratoga’s Education Program? Each year, Opera Saratoga tours an Opera production to more than fifty public and private schools throughout the greater Capital and lower Adirondack regions of NY. The performances feature charismatic professional artists who love to share their joy of music and theater through the opera, as well as through question and answer sessions where students have the opportunity to meet the artists and learn about the music and what it takes to put on a performance. In a world where the default forms of entertainment for children are primarily television, video games, and the Internet, Opera Saratoga’s In-School Opera program provides youth with an all-too-rare opportunity to experience the visceral thrill of the live performing arts, up close and personal! Opera Saratoga's touring program includes a lesson plan that arrives a month before the performance, a professionally staged opera performance in your school, along with a post-performance discussion between the artists and your students. Schools will also receive an invitation to the dress rehearsal of the performances in Opera Saratoga's summer festival. Contact us now to book your opera performance for March 2025!

I’ll start each workshop with a slide show of my personal journey into the arts. This will start from my entrance into the arts back in high school where I was guided away from the arts by guidance counselors and administration. I’ve found this to be helpful to mention as many students can relate to this. My entrance into the arts started in ceramics and has led me to Mould Making, Metal Casting, Fiber & Silversmithing. I’ll discuss how perseverance, determination, hard work, and elbow grease has awarded me with scholarships, grants, shows, and teaching opportunities that enable me to travel to craft schools and residencies to continue making work. I’ll show the evolution of my work and include photos of in-process works from different studios throughout the years. This introduction will last about 30 minutes concluding with 15 minutes of questions. I’ll continue with about 20 minutes of demonstrations and disperse materials for hands-on building. At this point, I’ll make my rounds to meet with each student and troubleshoot their project ideas and the best way to construct them. I’ll call the class over to discuss which method of building would be best depending on the desired outcome as there is no one way to make something. Program Descriptions Workshop 1: Personification of an Object First steps into the world of Abstract art by warping reality one object at a time. Students are prompted to give humanistic features/characteristics to inanimate objects to create something that’s never existed before. Workshop 2: Re-Create Everyday Objects Students will be asked to bring in 3-5 everyday objects. We’ll discuss different methods of construction, play with scale, and explore the surface through color and texture. Refrain from bringing in objects that are made out of ceramic materials. Workshop 3: Large Forms inspired by the Ancient World and Today This workshop focuses on giving students the necessary skills to create large vessels. Students will be asked to find references of Vessels from Ancient Egypt, China, Mesopotamia, or contemporary artists. -hand-building on a larger scale helps beginner students quickly adapt to the properties of clay and respond to the material quicker than something small. This method of construction [coil-building] is the oldest method of building with clay, allows for lots of adjustments to form and scale for a beginner student, causes you to be attentive to the material. -Discuss the benefits of hand-building and the freedom/ability to build in a gestural way, why this is helpful. -Ask students to choose or draw a silhouette to mimic for their vessel – A blueprint/reference photo is VITAL to making a successful shape, make this mandatory, this will help assist them in achieving the shape they want to. -brief demo on darting– show them how to edit a shape that’s not going in the direction (shape-wise) that they’re going for. Workshop 4: Advanced Techniques Ask students to make an object (sculptural or functional) using the extruder and slab roller. These can be very gestural, architectural, or realistic. -Demo how to construct a form using slabs slumping/wrapping/template techniques (cut-outs slipped and scored together) -Emphasize that the appearance of the object will be determined by what method of construction students wish to use (explain and show examples of architectural vs. gestural, organic vs geometric forms, etc.) -Demo how to use an extruder and how to attach extruded shapes securely together/to the form. Clay & tools can be provided for an additional fee.

I offer two one-person plays (one about Langston Hughes the other about Dr. King) and one poetry reading from my award-winning poetry collection Boneyarn, the only book of poems about slavery in New York City, where the oldest and largest slave cemetery in the United States is located. In conjunction with any of the above presentations, I have thematically related writing workshops so students can have their own creative experience to go along with my presentations. Below are descriptions of the three shows. I also give talks about the Harlem Renaissance, Jazz Trumpeter Louis Armstrong, and Tuskegee Airman Harry Stewart Jr, who was part of the first group of African-American military pilots who fought in World War II. Below are descriptions of the Langston Hughes, Dr. King and Boneyarn presentations. DAVID MILLS PRESENTATIONS 1) The Dreamweaver: Langston Hughes Performance and Creative Writing Workshop What better way to celebrate Harlem Renaissance writer Langston Hughes—affectionately known as “Shakespeare in Harlem”—than to have students see a dramatic 45-minute presentation about Langston Hughes. Actor David Mills, (whose Hughes show was voted the #4 young-adult show in the nation by The American Library Association) does just that. He takes students on a theatrical odyssey of Hughes’ life spanning six decades from his humble Missouri childhood to his days living in Harlem as an adult. Mr. Mills also captures Hughes’ world travels and writing of his classic poems, such as “The Negro Speaks of Rivers,” “Mother to Son,” “I, Too,” “Montage of a Dream Deferred” and “Madam Alberta K.” While playing black and white, young, old, and male and female characters, Mr. Mills captures Hughes’ unending love for Harlem—with its foibles and fantasies, bruises and beauty. Mr. Mills show also explores how Hughes wrote nearly 50 plays. A Q&A would follow the presentation. Mr. Mills could also conduct a writing workshop using a Hughes blues poem as a model. 2) Dare to Dream: Dr. King Performance and Creative Writing Workshop In a 45-minute, dramatic presentation for an auditorium of students and teachers, actor David Mills would take the audience on an engaging, historic journey, where they witness Dr. King go from a young preacher (with uncertainties about Civil Rights during the Montgomery Bus Boycott) into the nationally-recognized figure he became during the 1963 March on Washington. Mr. Mills’ stirring performance looks at Dr. King as both the public figure and private man. Be roused, be inspired, be transported by “Dare to Dream,” Mr. Mills’ theatrical tribute to Dr. King. A Q&A would follow the performance. Mr. Mills has worked as a teaching artist and performer for over 20 years in schools, universities, and senior centers. So, in conjunction with the performance Mr. Mills can also lead a 45-minute creative writing workshop, in a smaller classroom setting, using Dr. King’s iconic “Letter from a Birmingham Jail” as a writing prompt. This workshop will get students to write poems in the forms of letters that relate to their lives. Talking to the Bones: Poetry reading about slavery in New York City and Creative Writing Workshop. Award-winning-poet David Mills would read from his collection, Boneyarn, winner of the North American Book Award and the only poetry collection about slavery in New York City, where the oldest and largest slave cemetery in the United States is located. Mr. Mills would conduct a 45-minute reading to an auditorium and use projected visuals to give attendees a sense of 17th-19th century New York. Mr. Mills would discuss the research and writing process that went into creating this groundbreaking book, where he weds little-known colonial history and poetry. What lessons can be learned from coupling these two disciplines. The reading would also be followed by a Q&A. Mr. Mills has worked as a teaching artist and performer for over 20 years in schools. Therefore, in conjunction with the reading, Mr. Mills can lead a 45-minute creative writing workshop that uses a question-and-answer form from his book Boneyarn to get students to write their own poems reflecting on slavery in New York City.

**Mr. Twisty Arts-in-Education Assembly Programs** For over three decades, Chad Currin has brought Mr. Twisty, his hilariously charming character, into schools, captivating young audiences with assemblies that blend laughter, magic, and meaningful lessons. As the son of a school librarian, storytelling runs deep in Mr. Twisty’s heart, and he has even penned seven children’s books. Currently, Mr. Twisty also stars in *Mr. Twisty's Storytime Adventures*, a popular YouTube show that’s a big hit with early readers! Every episode celebrates children’s stories by independent authors, packs in delightful (and groan-worthy!) dad jokes, and showcases balloon artistry. Mr. Twisty’s arts-in-education programs keep kids engaged and enrich the curriculum, making learning memorable and exciting. Each assembly offers valuable educational experiences with an infusion of creativity and joy, fostering a love of reading, a sense of empowerment, and an appreciation for our planet’s tiny helpers. --- **Assembly Programs and Classroom Visits:** ### 1. **Books & Beyond: The Magical Power of Stories** **For Grades K-5** Dive into the adventure of reading with Mr. Twisty as he shares his story of growing up in a library and the love of stories he learned from his librarian mom! This lively program encourages students to explore the magical world inside books, emphasizing the importance of reading in daily life and supporting themes aligned with the Parents as Reading Partners (PARP) program. With humor, magic, and interactive elements, Mr. Twisty makes reading cool and fun, motivating students to open a book and discover the worlds waiting inside. - **Themes Covered:** Storytelling, reading motivation, imagination, book discovery - **Takeaways:** Kids learn that books are gateways to endless adventures and knowledge, igniting excitement for independent reading. - **Optional Classroom Visits:** Mr. Twisty can visit individual classrooms to work with smaller groups, sharing tips on creating their own “story magic.” --- ### 2. **The MAGIC of YOU! - Building Self-Esteem through Magic** **For Grades 3 and Up** In *The MAGIC of YOU!* assembly, Mr. Twisty uses magic as a metaphor for personal empowerment, helping students believe in their ability to make amazing things happen. This program is designed to boost self-confidence and encourage students to take pride in their unique qualities. Mr. Twisty shares inspirational stories and showcases illusions that remind students that they, too, have “hidden powers” within. After the assembly, students who attend the optional classroom sessions will learn a simple magic trick to take home, letting them experience the thrill of mastering something new and surprising their friends and family. - **Themes Covered:** Self-esteem, self-discovery, resilience, confidence-building - **Takeaways:** Students leave feeling empowered to face challenges and create “magic” in their own lives. - **Optional Classroom Visits:** Mr. Twisty can teach students a beginner-friendly magic trick to keep the theme of empowerment going. --- ### 3. **Wiggle, Dig & Compost! - Magical Worms & the World of Soil Health** **For Grades K-5** *Wiggle, Dig & Compost!* is a hands-on program where Mr. Twisty introduces his pet worms and teaches students all about the incredible role worms play in recycling and composting. This isn’t a typical assembly; it’s a special classroom experience where each class gets an up-close encounter with Mr. Twisty’s wriggling worm friends and a reading of his story *Little Lily and Eddie the Earthworm!* Kids will learn about worms, composting, soil health, and sustainability in a way that’s unforgettable—and they get to meet and greet Mr. Twisty’s worms for a fun, tactile experience. This program is ideal for teaching young students about the environment, helping them develop respect for our planet and its tiniest eco-heroes. - **Themes Covered:** Environmental science, composting, recycling, worm care - **Takeaways:** Students learn that even the smallest creatures play a big role in keeping our earth healthy and clean. - **Classroom Visit Experience:** A close-up meet-and-greet with real, live worms—a unique and memorable way to connect with nature’s recyclers. --- **What Teachers & Librarians Love About Mr. Twisty’s Programs:** - **Curriculum-Connected Learning:** Each program ties into key educational themes, providing a fun way to reinforce classroom topics. - **Interactive Elements:** Assemblies are highly engaging, often with student volunteers, humor, and age-appropriate magic tricks to make learning fun. - **Encouragement for Young Readers:** Mr. Twisty’s passion for storytelling inspires students to read more and discover the magic in books. - **Empowerment Focus:** Programs like *The MAGIC of YOU!* are designed to build self-esteem and encourage personal growth. - **Environmental Education:** Mr. Twisty’s hands-on approach in *Wiggle, Dig & Compost!* offers a unique environmental science lesson. Each program is adaptable to meet the needs of your school and audience, and Mr. Twisty is happy to work with educators to create a memorable and impactful experience for students. Let Mr. Twisty’s magic bring laughter, learning, and lasting lessons to your school!

Growing up a reluctant reader himself, it took Eric Luper a long time to learn to love reading and writing. Join Eric on a fun (and sometimes funny) journey through his past challenges as well as the current techniques he uses to write books for Scholastic, Cartoon Network, DC, Disney and others. Students will learn about first drafts, revision, brainstorming and other important techniques… and learn if they have what it takes to be a writer.

Kate Klise wrote her first book when she was ten years old, so she speaks with a certain authority when she encourages children to begin their writing careers now. With more than thirty books to her credit (picture books, early readers, middle grade novels, and one YA title), Kate relates well to students of all ages. When working with early readers (grades K-2, 30 minutes), Kate offers gentle advice about writing stories and invites students to create an original story on the spot. When presenting to older students (grades 3–6, 50 minutes), Kate focuses on the writing process: where she gets her ideas, how she writes her rough drafts, why the art of rewriting is so critical, and—yes!—how she comes up with all those punny names in the Regarding and 43 Old Cemetery Road series. In addition, Kate explains the classic elements of storytelling, including the importance of sending characters on journeys. In addition to large-group presentations, Kate also offers fiction and non-fiction writing workshops for smaller groups (30 students or less, 50 minutes). As a 15-year veteran for People magazine, Kate enjoys sharing her tips and tricks for writing on deadline. Over the years she’s taught countless students how to write colorful, compelling, and often hilarious People magazine-style stories about themselves and others.

The Ultimate Human Board Game features a LIFE-SIZE game board with three color-coded sides! The board is made up of 16 squares, each representing a different exciting activity. The entire group is divided into three teams (green, blue, and red). The game begins when one team rolls the dice and lands on an activity in which all three teams compete to win. The Ultimate Human Board Game is based on character building, teamwork, sportsmanship, and total participation. Activities such as the Silly Dance and Lip Sync Challenge are audio-enhanced. This fast and spirited game is sure to generate a level of excitement and teamwork in students which will amaze you! Indoors preferred. Indoor backup plan required for inclement weather.

Day in Clay is a diverse, multicultural ceramic art program for K–12, including professional development and disabilities. The programs are conducted virtually and in school. Overview Headquartered in Tomkins Cove, NY, Day in Clay was founded by Cliff Mendelson in 1988. Day in Clay provides a multicultural ceramic artist in residence programs for K–12 in over 400 schools and districts. It offers both virtual and on-site assemblies and classroom interactive programs with diverse culturally inspired hands-on/demonstrations in clay. Students get a real taste of the creative process and how design, form, and function relate across disciplines and cultures. Students create and explore African, Asian, Latin/ Native American, and Greek cultures through programs like vessel making, tile making, mask making and multicultural potter's wheel, all custom-tailored for their curriculum. Students work directly with clay, learning advanced techniques and understanding how each culture tells their unique story through 3D art, and discover the relationship between art and society. In the class, students become involved in working with clay while learning advanced techniques and the science behind glazing, painting, and firing. They explore the relationship between art, science, and society. Students also use historical techniques to create, decorate, and design vessels using culturally specific patterns, symbols, and imagery. Day in Clay invites an artist to demonstrate various aspects of different programs, how they connect to the history of ceramics, and show the interrelation of ceramics in cultures worldwide. Staff development provides arts faculty with the techniques, cultural history, and hands-on problem-solving, ready-to-go lesson plans to bring clay into the classroom. Staff learn to use cultural connections as a way to connect students to their own work. The training mirrors Mendelson's college-level teaching, where engagement and sharing expertise are paramount. Lessons are tied into Native American, Asian, African, Latin American, and Greek cultures. Mendelson provides advanced hand-building techniques and the science behind glazing, painting, and firing. Staff development is custom-tailored to meet the needs of a school’s faculty. The best way to problem-solve with students is a hands-on approach and learning the limits of the materials to advance their success. A lively Q&A is always encouraged!

John Collins is The Paper Airplane Guy. He is a keynote speaker with more than 30 years of experience, as well as an author, and a world record holder for paper airplane distance. His presentations are visually stunning and entertaining with the goal of engaging the audience and presenting great information. Students will explore science using the fun and wonder of paper airplanes. The Paper Airplane Guy’s 45-minute school show demonstrates a wide variety of aerodynamic principles: Lift, Drag, Gravity, Wing Loading, Control Surfaces, Dihedral Angle, Theories of Lift, Stalls, Slope Soaring, Canard Design, Scale Effects, Glide Ratio, Sink Rate, and the crazy cool secret of the world record paper airplane. Twenty-four of John’s original designs provide real proof for the theories, plus a whole lot of fun for students (and staff too!). It’s real aerodynamics instruction, teaching the physics of flight, demonstrated and explained using paper airplanes. It’s fun and the materials are inexpensive and readily available in most schools because it’s only paper. The interactive school assembly includes 30 minutes of live and engaging instructional demonstration with about 15 minutes of hands-on paper airplane making.

You Can Do a Graphic Novel, Comic Book, Meme, or Zine Categories: Creative Writing, Visual Arts Curriculum Costs VIRTUAL PROGRAMS (ZOOM) One-hour interactive classes, unlimited participants: $500.00 LIVE IN-PERSON PROGRAMS One day: $1,200.00 Four days: $3,800.00 Eight days: $6,500.00 For venues more than 40 miles from Hudson, NY travel cost of $0.50 mile will be added. Available year-round. Program Theme Students learn how to create a graphic novel beginning with a six page comic. It doesn’t matter if they can draw. Stick figures are an expressive way for the reluctant artist to begin. Participants are encouraged to bring their sketchbooks and characters they may already be working on. They will learn about The Creative Process, how to write a Character Study, focus on the beginning, middle, end and twist of a story, and Create Layouts. If the program is an assembly, Barbara talks though the program with on-screen illustrations of the process. The school is to provide a computer, projector and screen. Program Description Each program is custom tailored to the grade, number of students in the class, and number of sessions. If there are four or more sessions per class, the program finishes with a Graphic Novel Exhibition (see below). The Creative Process: 20 creative tips. Creating Characters: Participants complete bio sheets with the character’s name, age, best friend/side kick, powers (if any), biggest fear, life goal, etc. Plotting: Learning how to plot challenges the student to complete a story. Too many begin the story and throw it out somewhere in the middle. The student learns to plot by color code, a method used by film/tv/graphic novel writers. Layout: Participants learn about panels, thumbnails, dialogue balloons, sequence, and making a page pop. Rather than drawing “talking heads,” they draw a close-up, pull back for a long shot, followed by interior, exterior, bird’s eye views. Everybody works at their own pace. Some are advanced artists/writers while others are beginners. It doesn’t matter where they begin as long as they get going. I hand out a “character bible” sheet and encourage them to think about the beginning, middle, end and twist of their story. The twist is what makes the story interesting. I bring in samples of character bibles from Marvel comics which they can keep, and scripts written by professionals. Feedback is an important part of the program. It usually begins when I hold up a student’s drawing and ask them to suggest a name, age, or character trait. The student can take the suggestions or discard them, however, it opens up discussions. In the first session, students are sometimes quiet/shy with other students but by the second, they open up about their characters and stories. After the last workshop, the doors open to parents, friends, relatives, the community, and the local press. Students show and talk about their work…where they got their inspiration for characters/story. The “Graphic Novel Exhibition” attracts a lot of attention and often results in newspaper articles. Having artwork in the newspaper is great for a student’s self-esteem and for their portfolio. http://youcandoagraphicnovel.com/students1.htm Copies of Barbara's textbook You Can Do a Graphic Novel can be ordered for the school library, and discounts are available from the publisher for class-size orders.

As a read aloud advocate, I believe in the power of stories to nurture empathy, self-confidence, and imagination in young readers. My award winning books focus on social-emotional themes that support early childhood development, creating meaningful narratives that resonate with children, educators, and parents alike. *Fantastically Me!* (ages 0-8) touches on themes of self-belief and growth mindset. Whereas *Making Friends Together * (ages 0-5) is a board book that addresses kindness and friendship. In my author visits, I bring these stories to life for students up to 2nd grade through engaging, interactive read-aloud sessions, inviting children to explore their own feelings and ideas in a fun, safe environment. For older elementary students, I offer hands-on writing workshops that guide them in crafting their own stories, encouraging self-expression, creativity, and a love for writing. These sessions are designed to inspire confidence in young writers, from filling in imaginative story blanks to creating characters and worlds that spark their curiosity. With each visit, my goal is to leave students not only with a memorable experience but also with the tools and encouragement to tell their own stories.