The Martin House offers 75 minute tours for students of all grade levels. We offer 2 hour tours but they are typically better for college level students. We also offer several programs that include tours, our Printmaking program is for grades 6 and up and our Art Glass program is for all ages. The Martin House also offers free large programs to the community several times a year. Students of all grade levels are welcome to come on a field trip to see the Martin House.

Just Buffalo Literary Center has led the way for literary arts education in Western New York. One of Just Buffalo’s greatest strengths is our ability to reach students of all ages and abilities—gifted and talented, at-risk, or special needs—and we’re proud to work with public, private, Catholic, and charter schools, as well as community centers throughout Western New York.

One of the top Polka bands in the region, we perform Polka Music for Cultural Diversity/ Arts In Education programs.

Over 10 educational school assemblies featuring Reading, Math, Science and Character Education

I'm a kids' graphic novel author who over the last two years has presented at over 350 elementary and middle schools across America. My interactive, fast-paced presentations focus on the power of collaboration and the strengths of neurodiversity. As a dyslexic, one of my favorite things to present on is the strengths of neurodiversity. My books like Lumberjackula, Martian Ghost Centaur, and Indoor Kid have received starred reviews from most major trade journals, named to several state lists, and made the ALA best graphic novels list. I also used to work in higher ed at Boise State University where I taught classes on publishing and creative writing. I'd love to come speak with your students about creativity and persevering through learning differences!

Davis’ programs are designed to educate and to celebrate diversity and community, to get audiences of all ages singing along, and to inspire participants to remember and share their own stories with each other and their families. They also promote literacy and cultural awareness. Davis is known for his humor, his ability to engage, his repertoire of familiar and interestingly new songs and stories, and his professionalism. Programs include a variety of ethnic percussion instruments, including guiro, shekere, bells, spoons and a dancing wooden limbergjack dog named Bingo. For almost 45 years now Davis has shared thousands of performances at schools, libraries, senior centers and community settings throughout the northeast. His recording, Family Stories, won a prestigious Parents Choice Magazine Gold Award, was named one of the years best audio recordings of by the American Library Association’s Booklist Magazine and is available for download for free on his website. Specific programs include Under One Sky, Earth Rhythms, This Land is Your Land, Imagine That, Celebrating the Season, Sea Songs & Stories and a variety of interactive workshops. "Davis is thoughtful, creative, human and a fantastic storyteller" - Pete & Toshi Seeger.

In-School Residencies with Peter, Paul and George: Our dance workshops are well-suited addendums for elementary school students and high-school language students interested in learning more about their chosen culture. Homespun Occasions’ workshops encompass dances from more than 60 countries and regions around the world including the US, Latin America, Africa, Quebec, Scandinavia, Ireland, France, Turkey, China, Polynesia and Russia. These dance and music workshops can also be integrated with history and geography units. Peter Davis, Paul Rosenberg and George Wilson have been leading elementary and high school daytime workshops and residencies in traditional community dance and music, and playing for family and community dance evenings since 1994. Their repertoire consists primarily of contra, square and international folk dances accompanied by lively reels, jigs, polkas and waltzes. Their music and dances transform even the most adamant, grimacing youngsters declaring “I will never dance” into smiling dance-lovers asking, “When is the next dance?” Although they have worked as a trio since 1994, Peter and George have each been arts educators since the mid-1970s. All three are multi-instrumentalists. Instrumentation includes fiddle, banjo, clarinet, pennywhistle, recorder, piano, guitar and mandolin. Together they have performed and taught in over 700 schools around the Northeastern United States Family Dance Evening: One of our most popular offerings, the Family Dance, is a school-wide community celebration that involves everyone. Students, parents, siblings, teachers and administrators spend an evening dancing in time-honored traditions from around the world. If the evening is presented as the culminating activity after a school residency, students will be able to help teach their parents the dances they learned during the day. Parents are encouraged to get up and participate, and the high-spirited, toe-tapping music by Peter Davis and George Wilson make it impossible to sit on the sidelines! All dances are taught by “dancing master” Paul Rosenberg. Middle & High School Programs: TRADITIONAL DANCE AND MUSIC OF QUEBEC AND FRANCE FOR FRENCH LANGUAGE STUDENTS TRADITIONAL DANCE OF LATIN AMERICA AND SPAIN FOR SPANISH LANGUAGE STUDENTS TRADITIONAL DANCE OF GERMANY, ITALY, RUSSIA AND OTHER PARTS OF THE WORLD FOR OTHER LANGUAGE STUDENTS Square dancing originated in France! When settlers from France and western Europe came to the new world, they brought their quadrilles (square dance formation), their fiddles and their dances. The cultural heritage of Francophone America is brought to life in this dynamic participatory workshop. Accompanied by the energetic Quebecois fiddling of George Wilson and the pulsating rhythmic piano and guitar of Peter Davis, Paul Rosenberg leads high school French students through a series of lively dances as he points out the origin of such phrases as “do-si-do” (which was originally “dos à dos” – back-to-back). Dances are in square, circle, and contra formations. This multidisciplinary workshop encompasses language, history, geography, physical education and, of course, music! In Latin America, some dances were brought over by Spanish colonists, and others are ancient dances of native peoples who were influenced by Spanish culture. Many of these dances tend to be very energetic and lots of fun! Fiddle for Orchestra: Students Master fiddler George Wilson has developed a program for working with musicians in school orchestra programs. Students will be introduced to and instructed in the nuances of traditional fiddle styles. George has an extensive background playing tunes from Quebec (as well as Ireland, Scotland, Cape Breton/Nova Scotia, Appalachia, Scandinavia and the Shetland Islands). These traditional tunes include reels, jigs, hornpipes, schottisches, marches, polkas and waltzes. During instruction, George will focus on the rhythms and accents that give this traditional music its distinct feel. Sheet music for melody and harmony/accompaniment will be provided; George will also employ the more traditional method of teaching tunes by ear. Students will learn melody, harmony and accompaniment for each tune. The details of bowing, ornamentation, rhythm, and accents idiomatic to a style or tune will then be added. These workshops, rehearsals and sessions can be integrated with history and geography units as well as being aligned with the New York State Learning Standards in the areas of multicultural and traditional music, improvisation and playing solo or in an ensemble.

I’ll start each workshop with a slide show of my personal journey into the arts. This will start from my entrance into the arts back in high school where I was guided away from the arts by guidance counselors and administration. I’ve found this to be helpful to mention as many students can relate to this. My entrance into the arts started in ceramics and has led me to Mould Making, Metal Casting, Fiber & Silversmithing. I’ll discuss how perseverance, determination, hard work, and elbow grease has awarded me with scholarships, grants, shows, and teaching opportunities that enable me to travel to craft schools and residencies to continue making work. I’ll show the evolution of my work and include photos of in-process works from different studios throughout the years. This introduction will last about 30 minutes concluding with 15 minutes of questions. I’ll continue with about 20 minutes of demonstrations and disperse materials for hands-on building. At this point, I’ll make my rounds to meet with each student and troubleshoot their project ideas and the best way to construct them. I’ll call the class over to discuss which method of building would be best depending on the desired outcome as there is no one way to make something. Program Descriptions Workshop 1: Personification of an Object First steps into the world of Abstract art by warping reality one object at a time. Students are prompted to give humanistic features/characteristics to inanimate objects to create something that’s never existed before. Workshop 2: Re-Create Everyday Objects Students will be asked to bring in 3-5 everyday objects. We’ll discuss different methods of construction, play with scale, and explore the surface through color and texture. Refrain from bringing in objects that are made out of ceramic materials. Workshop 3: Large Forms inspired by the Ancient World and Today This workshop focuses on giving students the necessary skills to create large vessels. Students will be asked to find references of Vessels from Ancient Egypt, China, Mesopotamia, or contemporary artists. -hand-building on a larger scale helps beginner students quickly adapt to the properties of clay and respond to the material quicker than something small. This method of construction [coil-building] is the oldest method of building with clay, allows for lots of adjustments to form and scale for a beginner student, causes you to be attentive to the material. -Discuss the benefits of hand-building and the freedom/ability to build in a gestural way, why this is helpful. -Ask students to choose or draw a silhouette to mimic for their vessel – A blueprint/reference photo is VITAL to making a successful shape, make this mandatory, this will help assist them in achieving the shape they want to. -brief demo on darting– show them how to edit a shape that’s not going in the direction (shape-wise) that they’re going for. Workshop 4: Advanced Techniques Ask students to make an object (sculptural or functional) using the extruder and slab roller. These can be very gestural, architectural, or realistic. -Demo how to construct a form using slabs slumping/wrapping/template techniques (cut-outs slipped and scored together) -Emphasize that the appearance of the object will be determined by what method of construction students wish to use (explain and show examples of architectural vs. gestural, organic vs geometric forms, etc.) -Demo how to use an extruder and how to attach extruded shapes securely together/to the form. Clay & tools can be provided for an additional fee.

I am the author of a fantasy novel called The Knights: Lost in the Void. The story is assessible to everyone, but has been popular with teen boys who are not necessarily readers because it follows the style of comic books and anime. The story takes place in a fantasy world but the three main characters are facing real life situations regarding severe trauma, bullying, and anger and have to come to terms with those issues before they can succeed in their mission. There are glimpses of depression, anxiety, and grief in the latter part of the book, so the novel can be triggering for some people. I can offer the following programs: Book discussions for teens Book discussions fantasy Book discussions for boys Writing workshops

Finger Fables, Story Theater & New York Lore -Children learn to actively listen, problem solve, explore New York, and get inspired to write. Engaged by lively theatrical storytelling, they'll play a part in fables and fairy tales from around the world. When fingers become characters and they step into stories, children actively listen and retell tales. They'll better remember plot sequencing, key details, and different characters. Topics include kindness, animals, and other cultures. Ask for Medieval Manors and Manners for older students.

We offer a wide variety of entertainment and educational programs ranging from assembly shows, interactive intensives, and full week residency.

THE WESTERN NEW YORK BOOK ARTS CENTER promotes greater understanding of printing and book-related arts through education, creation, and exhibition for a broad and diverse community. Located in the heart of downtown Buffalo, just a block away from the downtown library, our Center is a vibrant place of creativity! We boast a rotating gallery showcasing the work of local artists working in book & printmaking, an artisan shop representing 75+ regional artists, stocked with handmade wares like handprinted cards, posters, apparel and handmade books of all kinds. The gem of our center is ouR studio, where we host hands-on origami & hand stitched bookmaking workshops, and classes in screen print and letterpress printing by hand on our antique presses - for students of all ages. create a letterpress printed poster with your own custom saying, hand-print a t-shirt or tote bag with your custom design, or bind a handmade journal to use back in the school classroom! in classes students will learn about the history of the craft they're engaging with, and work with specialty artists' tools to create a work of art by hand from start to finish.