With a reach of over 12 million students, TEEN TRUTH is a leading educational services company dedicated to empowering student voices, fostering positive school culture, and building student resilience. Originating from the success of an award-winning, student-filmed documentary series, TEEN TRUTH delivers North America’s best school assemblies, interactive student leadership summits, and high-quality professional development workshops. Visit www.teentruth.net to discover how we can elevate Social-Emotional Learning (SEL) initiatives at your middle or high school.

Please take a moment to consider my StoryFaces and Talking Art assembly programs for schools, a unique presentation of storytelling and visual arts with a variety of content for grades K - 12, family audiences and events. Christopher Agostino’s StoryFaces is a fusion of language and visual arts, an exciting storytelling show in which volunteers are face painted to illustrate the stories as I tell them, captivating the audience with traditional folktales and my uniquely animated original stories like The Amazing Face Story and The Amazing Face Story Activity, a follow-up activity in which students create an original story starring themselves — including Talking Art programs focusing on art history for upper grades — and programs for adults and family audiences. Assembly Programs are available for grade levels K - 12, with variable content for different grade levels. For middle and upper grade levels the performances also include cultural information on the use and significance of masks and makeup. Performances run 45 - 60 minutes, and work best for an audience of 250 students or less. In most shows I paint 8 to 12 volunteers during the performance, while mesmerizing the entire audience with stories ranging from traditional tales like Aesop’s Fables to legendary adventures like Punia and the King of the Sharks, The Tail of the Dragon and the samurai hero tale Raiko vs. the Goblin Spider, plus my original stories such as The Tiger that Went to the House of the Sun, When A Man First Met a Crocodile and in my Talking Arts programs, stories about art -- origins, inspirations and appropriations -- such as my mask design demonstration: Two Lizards on Four Faces, and Picasso the Thief and the birth of Modern Art.

Once Upon a Toon is a unique hybrid of storytelling with live cartoon illustrations. Multi-Emmy Award-winning cartoonist Joe Wos draws the stories as he tells them, in a lively and engaging program for all ages. Pulling from original stories and folktales with a twist, this live show is like watching a picture book being drawn before your very eyes. Each presentation includes a short guessing game, a how-to example, and two illustrated stories. Yielding between 15-20 drawings at every show. Best of all the illustrations stay with your school and may be displayed, auctioned, or even photocopied to share with students. Popular illustrated tales include Joe’s original pun-filled adventure “Don on the Farm” about a duck who longs to be a rooster, and with some help from his friends, they all help each other achieve their dreams! Joe also puts his unique spin on such classics as The Crowded House, How Turtle Flew South, How Elephant Got His Trunk, and many more.

A comprehensive year-long classroom program designed to provide students with the skills and knowledge necessary to learn music composition, create original compositions, form music groups, bands, or ensembles, and to promote their work on local and national stage. Through a combination of instrumental training, music theory, composition techniques, and industry tools, students will embark on a journey from individual musicians to collaborative creators, culminating in the production of their original work and how to bring their efforts to market.

The tradition of sugar painting in China can be traced back to the Ming Dynasty, where noble families would mold small animals out of sugar for religious rituals. Over time, sugar painting gained popularity and techniques evolved. It eventually merged with other art forms like shadow theater and paper cutting, which also focus on two-dimensional shapes. As sugar painting became more widespread, artists learned to create increasingly complex shapes and designs. Hui liu from New York is guaranteed to bring an authentic taste of China to your event - literally! An expert in this Chinese folk art, our sugar painting specialist keeps tradition alive by offering guests at your event a sweet treat. Sugar painting may have originated during the Ming dynasty when small animals made of sugar were created in molds for religious rituals. A specialist in this Chinese folk art, this Chinese sugar painter can create a wide range of patterns and figures at your event right before your guests' eyes. When completed, a thin wooden stick, used to hold the figure, is attached in two or more places with more sugar. An entertainment option loved by children, these delicious sugar figures will get kids queuing up throughout your event! Mainly focused on animals, our Chinese sugar painter can create delicious food sculptors of any of the 12 existing Chinese sings according to your birth year. He can also produce other forms and shapes based on any image of even brand logos! Not only a treat for the eyes, this tasty Chinese tradition will also leave your tongue suitably impressed. Especially loved by kids and people with a sweet tooth, this Chinese folk art is guaranteed to be an instant hit at your party and leave guests delicious memories! Especially suitable for Chinese New Year’s celebrations and festivals, our Chinese sugar painter is also perfect for street celebrations, shopping malls, children’s parties and cultural and corporate events, etc. If you’re interested in booking this Sugar Painter from China, then contact us today and make an enquiry. Our dedicated team of Entertainment Experts will be delighted to provide further details on this Chinese folk art as an entertainment option and guide you through the booking process.

The mission of The Vanaver Caravan is to inspire, through dance and music, the harmonious co-existence of world cultures and traditions, to promote peace and celebrate our humanity. Artistic directors, Bill and Livia Vanaver, have dedicated over 50 years to learning and sharing dance traditions from every corner of the earth. They have traveled across the globe, creating lasting life-long friendships along the way. Our international collective of professional Teaching Artists are trained with an extensive knowledge in our world dance and music repertoire. All of our faculty learn The Vanaver Caravan's holistic, gentle teaching philosophy: keeping students focused and disciplined in a positive and respectful way. Students are given space to learn and grow in an environment that fosters curiosity, creative thinking skills, and self-esteem through kinesthetic learning.

Situated along the Helderberg Escarpment, discover one of the richest fossil-bearing formations in the world. While protecting six miles of limestone cliff-face, rock-strewn slopes, woodland and open fields, the park provides a marvelous panorama of the Hudson-Mohawk Valleys and the Adirondack and Green Mountains. We offer a variety of field trip and outreach programs. Link to Field Trip Brochure: https://parks.ny.gov/documents/parks/ThacherFieldTripBrochure.pdf

This program is an energetic and challenging fun exercise class that is especially designed for Grades Pre K-12 and special needs students. Our programs are infused with mental health exercises to help boost confidence and working together to reach a higher goal. They will learn about the functionality of muscles through our exercise routines and physical activities. Regular exercise can have a profoundly positive impact on depression, anxiety, ADHD, and more. It also relieves stress, improves memory, helps you sleep better, and boosts your overall mood.

I’ll start each workshop with a slide show of my personal journey into the arts. This will start from my entrance into the arts back in high school where I was guided away from the arts by guidance counselors and administration. I’ve found this to be helpful to mention as many students can relate to this. My entrance into the arts started in ceramics and has led me to Mould Making, Metal Casting, Fiber & Silversmithing. I’ll discuss how perseverance, determination, hard work, and elbow grease has awarded me with scholarships, grants, shows, and teaching opportunities that enable me to travel to craft schools and residencies to continue making work. I’ll show the evolution of my work and include photos of in-process works from different studios throughout the years. This introduction will last about 30 minutes concluding with 15 minutes of questions. I’ll continue with about 20 minutes of demonstrations and disperse materials for hands-on building. At this point, I’ll make my rounds to meet with each student and troubleshoot their project ideas and the best way to construct them. I’ll call the class over to discuss which method of building would be best depending on the desired outcome as there is no one way to make something. Program Descriptions Workshop 1: Personification of an Object First steps into the world of Abstract art by warping reality one object at a time. Students are prompted to give humanistic features/characteristics to inanimate objects to create something that’s never existed before. Workshop 2: Re-Create Everyday Objects Students will be asked to bring in 3-5 everyday objects. We’ll discuss different methods of construction, play with scale, and explore the surface through color and texture. Refrain from bringing in objects that are made out of ceramic materials. Workshop 3: Large Forms inspired by the Ancient World and Today This workshop focuses on giving students the necessary skills to create large vessels. Students will be asked to find references of Vessels from Ancient Egypt, China, Mesopotamia, or contemporary artists. -hand-building on a larger scale helps beginner students quickly adapt to the properties of clay and respond to the material quicker than something small. This method of construction [coil-building] is the oldest method of building with clay, allows for lots of adjustments to form and scale for a beginner student, causes you to be attentive to the material. -Discuss the benefits of hand-building and the freedom/ability to build in a gestural way, why this is helpful. -Ask students to choose or draw a silhouette to mimic for their vessel – A blueprint/reference photo is VITAL to making a successful shape, make this mandatory, this will help assist them in achieving the shape they want to. -brief demo on darting– show them how to edit a shape that’s not going in the direction (shape-wise) that they’re going for. Workshop 4: Advanced Techniques Ask students to make an object (sculptural or functional) using the extruder and slab roller. These can be very gestural, architectural, or realistic. -Demo how to construct a form using slabs slumping/wrapping/template techniques (cut-outs slipped and scored together) -Emphasize that the appearance of the object will be determined by what method of construction students wish to use (explain and show examples of architectural vs. gestural, organic vs geometric forms, etc.) -Demo how to use an extruder and how to attach extruded shapes securely together/to the form. Clay & tools can be provided for an additional fee.

Love Yourself More is a high-energy program filled with strategies K-5 kids can use to show themselves care and compassion, such as speaking up for themselves, honoring their own moods, and giving themselves grace for mistakes. It’s all disguised as a very silly show that engages students with opportunities to make sounds, move around, answer questions, get on stage, and even join a sing along!

Slapstick Science shows are REAL science demonstration-lectures; not random acts of science, but true lessons that cover an entire UNIT from an IPS textbook. All programs were written by and are presented by Ted Lawrence (a.k.a. Dr. Quinton Quark who has been visiting elementary schools since 1992)– they are spectacular and funny shows, but while each lecture is jam-packed with the most memorable science demos, they teach basic principles and concepts intended to make kids realize that science is fun and embrace pursuit of "hard" science. All Slapstick Science shows start with a lesson plan written by a certified high school chemistry, physics, and math teacher (Ted Lawrence) and are presented by a gifted teacher with a knack for thrilling an audience (also, Ted Lawrence). “Much Work with Little Effort” teaches about Kinetic Energy, Potential Energy, Friction, and Simple Machines. “The Notion of Motion” teaches Newton’s Laws of Motion – Inertia, Force and Acceleration, Action & Reaction – as well as the use of a hypothesis and units. “Flight” teaches K – 8th graders how an airplane flies and uses the audience to show off genuine Madgeburg spheres, the Bournelli Effect, and the classic “Guinea and Shuttlecock” demonstration that establish the foundation for understanding how air has pressure and is strong enough to lift heavy airplanes. “Kiddie Chem” teaches about solids, liquids, gases, and chemical reactions using exotic chemicals for K -2, and “Combustion” is a spectacular chemistry lecture teaching basic fire safety that EVERYBODY should know before cooking dinner on a stove top or lighting a backyard grill. Circus skills and humor abound, but the lessons-including “Science is FUN”-are what’s important. Guaranteed to excite even the most science-phobic students (and teachers) as evidenced by a 30+ year-long experience hearing "that was the best assembly" frequently after each school visit.

John McPherson is the creator of the very popular cartoon panel Close To Home, which appears in over 700 newspapers worldwide, among them the Washington Post, The Miami Herald and the Houston Chronicle. He has published 27 book collections of his work, a line of greeting cards with Recycled Greetings, and is also a nationally known speaker on humor, stress and creativity as well as life as a syndicated cartoonist. His presentations are very funny, engaging, and informative. When speaking to school children his presentations can range from showing kids how to draw cartoons (focusing on the emotions of the characters, perspective, shading, etc) to telling his story of how he became a cartoonist, what life as a cartoonist is like, how books become published, what makes a cartoon funny, how cartoons are animated and turned into TV shows and many other aspects of cartooning. He is comfortable working with children of all ages and is sure to get them laughing and creating their own cartoons.