Jumpin' Jamie performs "Kindie Rock" for all ages, puppets, and magic. Programs can include "Music and Puppets", "Music, Magic, and Puppets", "Magic show", "Puppet Show", and educational shows such as "Indiana Jamie Reading Show", "Jump Into Dinosaurs", and more. Jumpin' Jamie has performed thousands of shows for crowds from 12 to 12,000 including venues like Citi Field, Wolf Trap National Park for the Performing Arts, and American Dream.

Introducing Beginner Origami w/John Collins – A 45 minute STEAM enrichment program to get your students folding and learning a new art form: Origami. Beginner Origami includes a brief history, some amazing examples, a little math, a little science and a whole lot of folding (three models). Origami is great for memorization skills, small motor coordination, eye-hand coordination, direction following, 3D visualization, and creative engagement. Created by The Paper Airplane Guy, a world famous author, presenter and STEAM educator with more than 30 years of school and corporate presentations; Beginner Origami will get your students folding right away. The wide range of models shown will wow them, as well as motivate them to get busy folding.

Programs include weekday matinee performances for student field trips, school partnerships, artists-in-residence, sensory friendly experiences, programs for those with autism and other sensory needs, professional development for educators, and master classes.

Captain Bill's Seneca Lake Cruises has developed two field trip cruise opportunities highlighting local history, and geography, in an attempt to create a sense of place for students grades K through 7. This cruise is in the GST BOCES exploratory enrichment coser #426. K through 4th grade is a 50 minute cruise at a rate of $15 per student for 2025. Grades 5 through 7 is a more in depth look at geology, history and the ecology of our area This is a 90 minute cruise at a rate of $23 per student fir 2025.

I am a performance storyteller and have told stories many times to children and adults of all ages. I tell the Odyssey, the Epic of Gilgamesh, numerous Norse and Irish myths and the Mahabharata epic of India as well as fairy tales and folk tales. I have taught storytelling to both adults and children, and have also taught poetry. I have been a ranger in Yosemite National Park, am a published poet, and have received a grant from the National Endowment for the Arts. I bring music to my storytelling and storytelling to my music. I love this work and welcome new opportunities.

Bardavon 1869 Opera House, Inc. (known familiarly as “the Bardavon'') is a New York State nonprofit corporation that owns and operates two historic theaters. The 928-seat Bardavon 1869 Opera House in Poughkeepsie is the oldest continuously operating theater in the state, among the oldest in the country, and is listed on the National Register of Historic Places. The 1500-seat Ulster Performing Arts Center/Broadway Theater (UPAC) is a National Register property built in Kingston in 1927. UPAC was merged into Bardavon's corporate structure in 2007. The Bardavon consistently presents the highest quality music, dance, theater, and classic films in both its venues. The Bardavon has brought together artists, businesses, and government to produce outdoor events that draw thousands of residents and visitors to the region annually, providing free access to superb art as a source of community pride, urban revitalization, and cultural tourism. The Bardavon Education Program partners with regional schools in offering unique arts-based learning experiences for students and innovative tools for teachers. The continued restoration and preservation of the Bardavon 1869 Opera House and the Ulster Performing Arts Center/Broadway Theater is also a vital aspect of our mission.

Your students get a backstage pass to the musical side of math in this upbeat, hands-on program led by musician, composer and edutainer extraordinaire George Maurer. Listening is at the core of George’s work as a musician, and his ability to not just listen but really hear has led George through a pretty amazing and diverse 35-year career. George has shared the stage with Grammy winners like Bruno Mars and Eric Clapton, his arrangements have been performed by the Boston Pops and the National Symphony, and he turns on that star power to show K-8 audiences that math really can rock. Utilizing the magic of motion-based modern electronic instruments, George pulls back the curtain on the addition, subtraction, fractions and patterns behind rhythm, pitch and scales and then lets students create their own sounds and patterns using elementary equations and interactive instruments for all age levels— including the mysterious, mesmerizing theremin.

With a reach of over 12 million students, TEEN TRUTH is a leading educational services company dedicated to empowering student voices, fostering positive school culture, and building student resilience. Originating from the success of an award-winning, student-filmed documentary series, TEEN TRUTH delivers North America’s best school assemblies, interactive student leadership summits, and high-quality professional development workshops. Visit www.teentruth.net to discover how we can elevate Social-Emotional Learning (SEL) initiatives at your middle or high school.

You Can Do a Graphic Novel, Comic Book, Meme, or Zine Categories: Creative Writing, Visual Arts Curriculum. Costs VIRTUAL PROGRAMS (ZOOM) One-hour interactive classes, unlimited participants: $500.00 LIVE IN-PERSON PROGRAMS One day: $1,200.00 Four days: $3,800.00 Eight days: $6,500.00 For venues more than 40 miles from Hudson, NY travel cost of $0.50 mile will be added. For venues more than 40 miles from Valatie, NY travel cost of $0.50 mile will be added. Available year-round. Program Theme: Students learn how to create a graphic novel beginning with a six page comic. It doesn’t matter if they can draw. Stick figures are an expressive way for the reluctant artist to begin. Participants are encouraged to bring their sketchbooks and characters they may already be working on. They will learn about The Creative Process, how to write a Character Study, focus on the beginning, middle, end and twist of a story, and Create Layouts. If the program is an assembly, Barbara talks though the program with on-screen illustrations of the process. The school is to provide a computer, projector and screen. Program Description: Each program is custom tailored to the grade, number of students in the class, and number of sessions. If there are four or more sessions per class, the program finishes with a Graphic Novel Exhibition (see below). The Creative Process: 20 creative tips. Creating Characters: Participants complete bio sheets with the character’s name, age, best friend/side kick, powers (if any), biggest fear, life goal, etc. Plotting: Learning how to plot challenges the student to complete a story. Too many begin the story and throw it out somewhere in the middle. The student learns to plot by color code, a method used by film/tv/graphic novel writers. Layout: Participants learn about panels, thumbnails, dialogue balloons, sequence, and making a page pop. Rather than drawing “talking heads,” they draw a close-up, pull back for a long shot, followed by interior, exterior, bird’s eye views. Everybody works at their own pace. Some are advanced artists/writers while others are beginners. It doesn’t matter where they begin as long as they get going. I hand out a “character bible” sheet and encourage them to think about the beginning, middle, end and twist of their story. The twist is what makes the story interesting. I bring in samples of character bibles from Marvel comics which they can keep, and scripts written by professionals. Feedback is an important part of the program. It usually begins when I hold up a student’s drawing and ask them to suggest a name, age, or character trait. The student can take the suggestions or discard them, however, it opens up discussions. In the first session, students are sometimes quiet/shy with other students but by the second, they open up about their characters and stories. After the last workshop, the doors open to parents, friends, relatives, the community, and the local press. Students show and talk about their work…where they got their inspiration for characters/story. The “Graphic Novel Exhibition” attracts a lot of attention and often results in newspaper articles. Having artwork in the newspaper is great for a student’s self-esteem and for their portfolio. Copies of Barbara's textbook You Can Do a Graphic Novel can be ordered for the school library, and discounts are available from the publisher for class-size orders. http://youcandoagraphicnovel.com/students1.htm

The Martin House offers 75 minute tours for students of all grade levels. We offer 2 hour tours but they are typically better for college level students. We also offer several programs that include tours, our Printmaking program is for grades 6 and up and our Art Glass program is for all ages. The Martin House also offers free large programs to the community several times a year. Students of all grade levels are welcome to come on a field trip to see the Martin House.

The ArtSmart Educational Theatre Series presents performances specifically designed for school groups and are open to the general public as well. Children’s picture books and classic literature, United States and world history, relevant social issues and experiences are all transformed by nationally-touring performing artists. Our ArtSmart series is designed to encourage thinking, creativity and fun while complementing school lessons. Each year, The Smith presents a series for students of all ages.

I've been presenting at schools all over the country for more than 25 years. Each year, I develop new, interactive presentations to keep things fresh and exciting for everyone. While the structure and content are new every year, my presentations are always fun, fast-paced explanations of how I create my books. Using a grade-appropriate, interactive digital slide show, I explain the writing process from generating ideas to writing rough drafts to editing and revising. I emphasize the vital importance of all the revisions and changes that all good writers do to their work. I share rough drafts with the students and demonstrate why it's so important to keep working and reworking the writing. I also show how I create the artwork for the books and explain how the writing and illustrating processes are linked for me. Each presentation ends with a drawing demonstration and questions from the audience.