We offer workshops with middle and high school bands to help promote instrumental music in our schools. We can present a concert of the best in wind band literature. We can have CVWE members sit in rehearsals with middle school/high school bands, and we can combine our group with the school band for a piece or two for a concert presentation. We have found this especially effective with some of the smaller schools who may not have enough students in band to play in a "full band" situation. Our participation also highlights the lifelong love of instrumental music as our group spans the ages of 16 to 80+. While many of our group are current or retired music teachers, many are not, which shows that you can have a career besides music, but still have opportunities to play as an advocation.

the gifford family theatre (GFT) at le moyne college has been presenting theatre for young audiences each may/june for over 20 years. GFT provides an opportunity for young people to experience the joy of live theatre in a professional yet intimate (under 200 seats) setting on le moyne's campus. one of the most memorable moments in a child's life is the first time they experience the excitement of live theatre. GFt combines that excitement and fun with character education, using live performances to bring lessons of character to life. our plays are generally adaptations of well known children's books, making it easy to tie the performances to your Ela/literacy curriculum.

CMOO is a non-profit children's museum with 10,000 square feet of hands-on interactive exhibits whose mission is to inspire children to learn, create, discover, and explore through the power of play.

We teach and perform a wide range of classical, folk, and Bollywood dance styles at school, at work, at the musem and anywhere! Ajna’s programs celebrate diversity and foster cultural inclusion for people of all ages and backgrounds.

Historic Pursuits utilizes high interest, hands-on programming to create an intrinsic love for history. The emphasis is on character development through historic examples. We train high school, college and community docents to lead these programs as a means to further leadership and community connections. WHY HISTORIC PURSUITS? Interactive and Experiential. We learn best by doing, and remember best through experiences. We put history into people’s hands, to get people trying “new things from the past.” We don’t have audiences; we have participants. Engaging. Yes, you will learn a great deal of “gee whiz” history, but more importantly, you will leave with a desire to learn more. Our goal is to promote an intrinsic curiosity for history. Depending on the program, you can expect to spark flint and steel, practice pioneer survival skills, crunch on some hard tack, spit some beeswax, use decoders from Washington’s spy ring, craft a love note with ink and quill, experience life on the Erie Canal…there are no, “Please do not touch” signs at our programs. Educational. Our staff are retired school teachers. They know about state standards, SEL, SLOs, Learning Targets, etc. They know that social studies plays second fiddle to Math and ELA because school report cards don’t emphasize history. They know that teachers often are forced to “squeeze in” history when they can and that very little professional learning opportunities are available. We teach teachers because we are teachers. We get it. Accessible. Some history venues just don’t fit everyone’s budget and calendar. We will come to you with a truckload of goodies. Or you can come to us for experiences you can’t find anywhere else for anywhere near the affordability. We will work with you to ensure all your objectives are met or if you prefer, we will do the work for you. We will design programs specific to your community and your local history. We strive to bring history to the community because it’s their history. Passionate. We love what we do, and this means that our passion drives our profession. We are insanely curious, always learning new skills, seeking out new history toys and forging new relationships. This passion drives our profession.

A successful author visit doesn’t just happen. It takes a lot of hard work, organization, and continued communication. Booked Authors ensures you achieve a successful and impactful author visit – every single time. With years of orchestrating successful author visits and their corresponding book sales, we know how to coordinate the best author experience for your students. Working with more than 75 children's authors, we strive to ensure you host the best option for a successful author visit experience for your students!

The Animal Menagerie, written by Francine Dingeman and illustrated by Marta Maszkiewicz, is an enchanting A to Z picture book filled with captivating characters from the animal kingdom for children ages 4-8. This book is written to entertain and educate by introducing dozens of creative new words into a child's vocabulary. Children are invited to embark on a wild and whimsical journey through The Animal Menagerie! Each letter of the alphabet comes to life with vibrant illustrations and story vignettes, making early literacy development a delightful adventure. The visual imagery, engaging rhymes, and clever context comprehension of The Animal Menagerie will spark a child's curiosity and imagination as they learn new vocabulary words and animal names in a fun and unforgettable way. Twenty to thirty minute visits to grades pre-k and k include readings from select pages of the A to Z picture book and a short discussion surrounding each animal character. First to third grade presentations include a full reading of the book followed by a personal account of the writing/publishing journey with a focus on inspiring young writers and encouraging them along their individual writing paths. The opportunity to project the pages of the book as it is read, so children can view the illustrations along with the reading, allows for an optimally engaging presentation, sparking a child's interest and curiosity as each new animal character story is shared.

Living Wall Fiber Art Community Program The Living Wall is a community based, collaborative art program that focuses on the hands-on art of wet felting. During this program students learn a variety of felting techniques to experience how wool can be sculpted and painted with to create three dimensional forms, patterns and unique fiber creations. Over the course of three sessions, participating classes will learn to wet felt flowers, mushrooms, moths, leaves, stones and vines using different hands on felting techniques. They range from techniques that are purely hand based, meaning no extra tools are needed which are best for grades k-2 and techniques that require felting mats that are provided by myself, the teaching artist, which are best for grades 3 and up. Those felted pieces of flora and fauna are then added to one large piece of background felt to create the look and feel of a living wall. It is an organically textured quilt or 3D sculptural base is made entirely of hand felted wool and will sometimes represent trees, roots and branches. The final piece will be hung at the school in the location of the schools choosing. The Living Wall is meant to be a reminder of how important green spaces are to human beings, how important our environment is and how we need nature in our lives to be healthy and happy. It serves as a lesson in using, understanding and appreciating natural fibers, as well as learning about the sustainability of wool. It is also a symbol of community and the beauty of working together to create one beautiful piece of work. In the same way an ecosystem has many individual elements that work together in harmony to create beautiful natural spaces and systems that benefit us all. The cost of this residency program is $6250 which includes all materials, tools, in class time and the assembly of the final sculpture. There may be an additional cost to the program that will be dependent on the distance to the school and the length of the program to cover travel costs.

Join my nature adventures from childhood family trips to hiking with my own children, exploring Israel. We'll read the story A FEATHER, A PEBBLE, A SHELL (Kar-Ben Publishing, 2024) and discover some behind-the-scenes secrets from the work process on the story and illustrations. We'll find out what makes the tiny country of Israel one of the most diverse places in the world with mountains, rivers, forests, beaches, dry deserts, tropical reefs and more! I'm traveling to the USA for a book tour during the month of November and would love to visit your school in person. I live in Israel, so on any other month, I would be happy to visit your school virtually. During my visit in November, I also offer art workshop, in which we will create Israel's national bird, the hoopoe, using cut colored papers and oil pastels, demonstrating how this beautiful bird can open and close its feathered crown! I can be reached by email: miri@mirileshem.com or phone: +972-152-871-5525

Enormously inspiring assemblies based on author David Greenberg's books in two areas, 1/ Poetry Picture Books, and 2/ Human Rights (based on his novel from Dutton, A Tugging String).

The “Silly Nomads” book series is a five-volume collection of children’s literature that target children ages 7- 12. I drew heavily on my own vibrant childhood experiences while growing up on the island of Jamaica. These stories, immersed young readers in a world of imaginative adventures and cultural discovery. Each book within the series encourages creativity and exploration, fostering a love of reading while subtly reinforcing essential life lessons and positive character traits. Beyond the books themselves, I actively engage with students through interactive school readings, aiming to ignite a lifelong passion for literature. The “Silly Nomads” offers a unique opportunity to introduce students to a different culture, enriching their understanding of the world and fostering empathy and appreciation for diverse perspectives. I look forward to sharing my childhood adventures with you and your students.

Dear School District Administrators and Educators, As both a lifelong musician and a proud product of our public school music programs, I’m passionate about bringing real-world music industry experiences into classrooms across New York State. I’ve had the privilege of working with many districts to design exciting, hands-on programs that inspire creativity, connect to STEAM principles, and align directly with state learning standards. My Music Industry Programs combine songwriting, instrument design and repair, live performance, and recording arts—giving students the opportunity to create, innovate, and explore the many sides of the modern music world. Using tools like 3D printers, CNC machines, and digital audio workstations, students connect engineering, math, technology, and art while building instruments, writing songs, and learning to play. These programs encourage collaboration, problem-solving, and self-expression—skills that reach far beyond music class and into every academic subject. As an educator and professional musician, I’ve shared the stage with legendary artists including Walter Trout, Mike Zito, Dickey Betts (Allman Bros.), Tommy Castro, Blackberry Smoke, Levon Helm (The Band), and Arlo Guthrie. I’ve toured with the Masters of the Telecaster (featuring G.E. Smith (SNL), Jim Weider, and Duke Levine (Bob Dylan)), received recognition from the Louis Armstrong Jazz Foundation, Berklee School of Music, and won Best Blues Recording from the Syracuse Area Music Awards two years in a row. I’ve also performed at major events like the NYS Blues Festival, Taste of Country Festival, Chenango Blues Festival, and countless sold-out venues across the region. Beyond performing, I’m deeply invested in arts education and community development. I’m the founder of a thriving Music School in Norwich, NY, serve on the Board of the Earlville Opera House, and act as Main Stage Music Coordinator for the Colorscape Chenango Arts & Music Festival. I also co-founded the Oxford Academy Summer Theater & Performing Arts Camp, Founder of the Norwich Youth Bureau Summer Guitar Camp and provide specialized backline support for touring artists—all of which help connect students to authentic, working examples of the music industry. Music is not just for the music classroom—it enhances literacy, history, math, science, and emotional intelligence. I believe every student deserves the chance to discover their creative voice, and I’d love to collaborate with your district to design a personalized, engaging, and unforgettable program for your students. Let’s create something extraordinary together!